The Walker Art Center, which hosts hundreds of thousands of visitors a year, described the event as a “collective and playful demon summoning session” employing “ancient Babylonian techniques,” and ending with “a somatic movement meditation designed to help you befriend your shadows.”
Another performance on “how to trap a demon” came before the event, according to the Post Millennial.
This event taught children how to craft a clay jar in order to trap demons in order to “get to know them.”
The artist hosting the course, Tamar Ettun, previously crafted an entire exhibit on “How to Trap a Demon.”
One of the featured works included a phone number and instructions encouraging patrons to “summon” Lilit via text.
The exhibit attempted simulated ancient traditions from “Sumerian, Akkadian, and Judaic mythology,” showing Lilit in several different forms.
Ettun also rejected “historical gender binarism,” as many demons do.
Her art consists of freakish depictions of Lilit—also known as Lilith—and other demons, all of which look like a kindergartner’s drawings of the monsters in their nightmares.
An article posted to the center’s website explained that Ettun initially came into contact with Lilit “when she was at a residency, spending her days and nights in a haunted firehouse-turned-museum making knots and having just found out she was pregnant.”
In ancient Jewish writings, Lilit attacked pregnant women, kidnapped newborn babies and tempted men to concupiscence.
The Walker Art Center has a government-granted endowment of millions of dollars, with reported net assets of $243 million in 2011.
Despite the Left’s insistence on the separation between church and state, the church of Satan has been making great strides with government funding.